Monday, 16 December 2019
Mardani 2
MARDANI 2
Directed and written by Gopi Puthran
Produced by: Aditya Chopra
Two Main Characters
·
Rani Mukerji as
Shivani Shivaji Roy IPS (Protagonist)
Settings : Kota, Rajsthan
आभार वैदेहीमेम इस फिल्म के लिए जिससे मे हकीकत बनती रहती घटनाओ और सरकारी दफ़तरकी कार्यवाही एवं समाज के कटाक्ष पर कुछ लिख सका।
हकीकत...
कई
ऐसे सबंध मैंने देखे है जिसमे लड़की का ब्रेकप होता है वो भी और जो पति-पत्नी मे सबंध
को लेकर जगड़ा चलता रहेता है ऐसे संबंधों मे कुछ लड़के होते है जो एसे मोके पर उसका लाभ
लेने मे ज्यादा उत्सुक रहेते है।
गुजरात मे 181 पर कॉल करने से और मदद मिलने वाले कई मोबाइल ऐप्लीकेशन है जिससे आप मदद भी मांग सकते है और सुरक्षित घर भी पहुँच सकते है ।
Be Brave and Fight for your Right
Produced by: Aditya Chopra
Two Main Characters
आभार वैदेहीमेम इस फिल्म के लिए जिससे मे हकीकत बनती रहती घटनाओ और सरकारी दफ़तरकी कार्यवाही एवं समाज के कटाक्ष पर कुछ लिख सका।
हकीकत...
गुजरात मे 181 पर कॉल करने से और मदद मिलने वाले कई मोबाइल ऐप्लीकेशन है जिससे आप मदद भी मांग सकते है और सुरक्षित घर भी पहुँच सकते है ।
Be Brave and Fight for your Right
Thinking activity: One night at the call center by Chetan Bhagat
Chetan Bhagat
Indian Author, Columnist,
Screenwriter and Speaker.
' amongst the ‘100 most influential people in the world’ and Fast Company'
- Time
magazine
Date of Birth and place:
22 April 1974, New Delhi
Education:
The Army Public School, Delhi (1978-1991)
IIT Delhi, Mechanical Engineering (1991-1995)
IIM Ahmedabad, MBA (1995-1997)
Novel and
Non-fiction
Blockbuster novels
· Five Point Someone (2004)
· One Night @ the Call Center (2005)
· The 3 Mistakes Of My Life (2008)
· 2 States (2009)
· Revolution 2020 (2011)
· Half Girlfriend (2014)
· One Indian Girl (2016).
Three non-fictions
· What Young India Wants (2012)
· Making India Awesome(2015)
· India Positive (2019).
‘The biggest selling English language novelist
in India’s history’
-The New York Times
This blog is part of my academic
activity. To open task click here
One night @
the call center
· Full
title: One Night @ the Call Center
· Author:
Chetan Bhagat
· Type of
work: Novel
· Genre:
Humour: Fiction, Romance novel
· Date of
first publication: October 2005
Comment upon the narrative structure of the novel On@tcc
Mostly people
like fantasy, because it gives ecstasy to us that's why in this story he has used mysterious elements, like God. Always this is an end of the story in childhood when grandfather
or grandmother tales a story.
અને દાદા પછી
શું કર્યું ?
દાદા: પછી
ખાધું પીધું અને રાજ કર્યું.
People mostly believe that, if God is there than everything will be good. So here with the help of God, writer has given a happy
ending.
Book
'Life of Pi' is a novel by Yann Martel, it was published in 2001.
'One night @ the call center' novel was published in 2005.
The narrative structure of On@tcc, it can find a similar narrative structure as a 'Life of Pi' novel. It may possible that Chetan Bhagat
got a hint from that novel about narrative technique because in both novel the element of God is there and tricks to describe things to people with logically
and mysteriously also.
I've not read that novel but with the help of quotes,
summary and class discussion, I can say, Yann Martel, did deep observation
about Indian places, schools, faith, spirituality, and religion and life of the
animal world and ocean in his book, even he is not an Indian.
Yann Martel has a deep observation and classical thinking
about life where Chetan Bhagat is more practical.
Here we can see the difference of the mindset
“You must take life the way it comes at you
and make the best of it.”
-Yann Martel, Life of Pi
“as with money in your wallet the world
gives you some respect and lets you breathe.”
- Chetan Bhagat, One Night @ the Call
Center
Movie
'Life of Pi' is directed by Ang Lee, published in 2012.
'Hello' movie is based on On@tcc, it's directed by Atul
Agnihotri, published in 2008
In the movie, Atul Agnihotri changed many things, he used
a helicopter and lounge for a conversation with a lady rather Train as per the novel, other things are okay okay types, he worked well in camera study in a
few scenes but not good as Ang lee did in Life of Pi.
Is on@tcc self-help book?
Is on@tcc self-help book?
Every day of life is not the same, day
by day we face different types of experience and sometimes when we get a failure
at that time we need motivation. There are many books and nowadays videos also
available but some people write these types of book to make money so it depends
on the person who has written the book so we need
something different or more convenience things like
(સનાતન સત્ય, જે હંમેશા વધુ સાચું હોય અને બધાને લાગુ પડતું હોય મુશ્કેલી સમયે)
For example:
ચાણક્યનીતિ
Some Theology books like શ્રીમદ ભગવતગીતા (ક્રુષ્ણ ઉપદેશ)
Here, in the On@tcc in last part, it can find that,
God comes and said to them I am with you. One thing is that he will not say
Tathastu and you will get everything whatever you want but he just gives
guidance to 6 people and they must work on the way with thinking and smart
work. It is like you are helping you with the help of self.
A self-help book is one that written with the intention to instruct its readers on solving personal problems. The
books take their name from Self-Help, an 1859 best-seller by Samuel Smiles, but are also known and classified under "self-improvement", a term that is a modernized version of self-help.
Self-help books moved from a niche position to being a postmodern cultural phenomenon in the late twentieth century
Reference:
Friday, 13 December 2019
Journalism: Feature Writing and Lead Writing
હું અને મુર્તુજા એટલે એક
ઇમારતમાં મંદિર અને મસ્જિદનું સ્થાન
જેની દીવાલે લખેલું રહિમ અને રામ...
ઉનાળોં ચોમાસામાં બદલાઈ જાય અને
ખબર ના રહે એમ જ કંઈક મળ્યા પછી અમારી પાકકી ભાઈબંધી ક્યારે થઇ ગઈ એ ખબર નહીં. એક બીજાના નામ સિવાય કંઈ જ પૂછેલું નહીં. બંને હૃદયથી વાતો કરવા વાળા ક્યારેય મગજ
વાપરેલું નહીં.
સાદી જિંદગી વિતાવતો મારો
બ્રાન્ડેડ ભાઈબંધ
એટલે મુર્તુજા
મુર્તુજા ભાગ્યે જ સાંભળવા મળતા નામની મેં જ દઈ
નાખેલી... મેં પાડ્યું નવું નામ મુસ્તુ અને મુસ્તુફા...
મુસ્તુફા નામથી માણસોને
એમ થાઈ કે કોઈક ખાં હશે પણ
મારો ભાઈબંધ મુસ્તુ કૈક આવો છે. પાંચ ફૂટ
પૂરો અને પૂરી જેવા ગાલ, ચકળ વકળ
થતી ચબરાટ આંખો, સુકાયેલા નાળિયેર
ના છાલા જેવા સીધા એના કાળા વાળ, પવનની ગમે તેવી ફફડાટી હોય પણ શરૂ એકટીવામાંય પવન કે કોઈ માણસ એના વાળ હલાવી ના શકે હું પણ નહીં બાકી પવન ની દિશા
ને મારી દશા એ બદલાવી નાખે ખરો એ ભૂલ વગરની વાત. ખાલી બહારથી શાંત પણ ચંચળ તો વાત ના કરો સળિયો તો
પુરેપુરો પણ અમુકની સાથે જ, બિઝનેસમેન પૂરો
પણ કોઈની લીટી ભૂંસીને આગળ ના વધે હો....
ભાઈબંધીમાં એની દોસ્તી
પૂરી પઠાણી, અડધી રાત્રે ફોન
કરવાનો ગમે ત્યાંથી મુસ્તુ ક્ષણોમાં હાજર હોય હો. બસ અમે એકબીજાને
ખાલી નામ થી ઓળખતા ક્યારેય મેં એને આગળ પાછળ નથી પૂછ્યું ના એણે મને...
આ નાત-જાત નું ચાલે છે તો
થયું લાવ ને લખવા દે. કેટલાય મંદિર-મસ્જીદ બનાવવા અને નાત-જાતને જાત-ભાતનું કાઢી કાઢીને જગડે છે પણ મારે ને મુસ્તુને કાંઈ જ લેવા દેવા નહીં
એનો મતલબ એ નહીં અમે સાવ નાસ્તિક છીએ
કે અમને કોઈ બાબતે પરવા નથી
પણ
અમે એમ માનીએ કે ઘર ઘરના
બે બાધિને ત્રીજાને શું કામ
મનોરંજન કરાવવાનું ??
બસ કઇંક આવું જ વિચારીને અમે જીવીએ
છીએ.
ઘાત અને આધાત નડે
છે,
રોજ પડે ને જાત
નડે છે.
ચાલ ને સરખે ભાગે વહેંચી લઈએ દોસ્ત,
આપણને જે વાત નડે
છે... (સુરેશ ઝવેરી)
Monday, 9 December 2019
Know the Author: Chimamanda Ngozi Adichie
Know the Author:
Chimamanda Ngozi Adichie
Chimamanda Ngozi Adichie is a well known
Nigerian author. She has written best known novels and short story
collection.
Novels:
Purple Hibiscus
Half of a Yellow Sun
Americanah
For love Biafra
We Should All Be Feminists
The most important matter about her is
that,
The Times of Literary Supplement described
her as "the most prominent" of a "procession of critically
acclaimed young anglophone authors who is succeeding in attracting a new
generation of readers to African Literature".
1)
The Danger of a Single Story
She is a well known author and also known
as good story teller. In this ted talk she calls herself as a story teller. In
a very intresting way she is giving some glimpses of poovrty of her own family
and some chilhood experiences. In this she talks about critical
misunderstanding. If we hear only a particular story about any country or
culture in a particular way then it risks our critical thinking. She speaks
about her mental shift in literature after reading African writers like Chinua
Achebe and many others. Before reading them her earlier characters are entirely
different. She portrayed them as having a white skin and blue eyes while in
reality it was diffrent. In reality they have chicalate skin or kinky hair. She
talks about many short stories and says that stories have been used to
dispossess and malign, but they can also be used to empower and to humanize.
From her works it seems that she is quite realistic writers like many other
African writers like Chinia Achebe and Ngugi Wa Thiongo. In the end of video
she very frimly says that,
"When we reject the single story, when
we realize that there is never a single story about any place, we regain a kind
of paradise".
What I understand is that she talks on being universal
not to stick on particular stereotype.
2)
We Should all be Feminist
In this second ted talk, she speaks about
her own experiences on this gender biasis. The term Feminist has very different
perspectives nowadays. But Chimamanda is not talks about that typical feminist.
She gives a very uneasy defination of feminist,
"Feminist are women who felt unhappy
because they couldn't find their husband".
She talks about her personal experince of
childhood. She wanted to be class monitor in the class. For that it is
necessary for her to stood first in the class. She worked hard for it and got
first rank. But she did not able to be a monitor because she is a girl. She
added that gender matters everwhere in the world. She talks about her
experience with waiter who ignored her because she is woman. This shows the
gender sterotype which is taught from very early age. She also talks about
mariiage. Marriage is more about ownership rather than of partnership. We
believe that we human beings act according to culture but actually we create
our culture.
3)
Talk on importance of Truth in Post - Truth Era
In this video she talks about value of
truth by speaking it courageously. She interprets her own name
"Chimamanda" which means personal spirit that can never be broken.
She talks on the pronounciation of her name. Whenever she went in any event
aenchor mispronounced her name. Problme is not with mispronounciation but the
problmes is with changing concept of meaning of her name. She speaks about
common lies, she used to speak about her height and struck in traffich when
someone ask her for arriving late. She talks on her personal experience where
she lies because she did not know the name of the writer. In short she tries to
make us to be true.
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